CFP: ICMS 2011 (May 12-15, 2011)
Hell Studies
Sponsored Session, Societas Daemoniaci
Across cultures and throughout the Middle Ages, the idea of Hell has haunted human-kind. In art, manuscripts like the Winchester Psalter and cathedral sculptures like those at Autun and Chartres stand as both private and public reminders of the punishment that awaits those who refuse to live a good and holy (and in many cases Christian) life; in literature, tellings of the Harrowing of Hell and stories of the Falls (both angelic and human alike) trace the development of Hell over time, through texts like the Old English Genesis A and B; in theatre, the devil and the fear of damnation have woven their ways into narratives for hundreds of years, for example in York Corpus Christi plays; and throughout history the hope of Heaven and the fear of Hell have motivated the actions of kings, priests and peasants alike.
This session, titled Hell Studies, will provide a forum for new research on the art, literature, theatre and history of Hell and its sometime residents -- the devils, demons and damned -- and their visual, textual, theatrical and historical development and depiction throughout the medieval period. Through the study of Hell and its associates, we can divine new truths about the cultures and beliefs of the people for whom Hell was, to them doubtlessly, a serious, physical reality and a part of their daily lives.
Anyone wishing to participate is encouraged to send a politely addressed query or proposal of no more than 500 words to Richard Burley, at societas.daemoniaci @ gmail.com, on or before the thirty-first day of August 2010.
Tuesday, June 29, 2010
Monday, June 28, 2010
IMAGINING EUROPE - PERSPECTIVES, PERCEPTIONS AND REPRESENTATIONS FROM ANTIQUITY TO THE PRESENT Call for Papers
IMAGINING EUROPE - PERSPECTIVES, PERCEPTIONS AND REPRESENTATIONS FROM ANTIQUITY TO THE PRESENT
Call for Papers - LUICD Graduate Conference 2011
Leiden University Institute for Cultural Disciplines
27 and 28 January 2011
Confirmed key note speakers:
Professor Edith Hall, Royal Holloway, University of London
Professor Jonathan Israel, Institute for Advanced Study, Princeton University
THE CONFERENCE
‘Qui parle Europe a tort. Notion géographique’. Otto von Bismarck's elliptic remark, scribbled in the margin of a letter from Alexander Gorchakov in 1876, would go on to become one of the most often-quoted statements about Europe. But was Bismarck right? Is Europe nothing but a geographical notion? Even the briefest glance at history shows that more often than not perceptions and definitions of Europe go beyond the mere geographical demarcation of a continent. In 1919, for instance, Paul Valéry imagined Europe as a living creature, with ‘a consciousness acquired through centuries of bearable calamities, by thousands of men of the first rank, from innumerable geographical, ethnic and historical coincidences’.
Of course this is only one of a multitude of different representations.
Europe has always signified different things to different people in different places – inside Europe as well as outside. Europe meant, for instance, something different to Voltaire, l’aubergiste d’Europe, at Ferney in the 1760s than to Athanasius Kircher in Rome a century earlier or to Barack Obama in Washington today.
This conference explores the different ways in which Europe has been imagined and represented, from inside as well as outside Europe and from classical antiquity to the present day. This wide scope reflects the historical range of the LUICD’s three research programmes (Classics and Classical Civilization, Medieval and Early Modern Studies and Modern and Contemporary Studies) as well as the intercontinental focus of many of the institute’s research projects. The conference aims to present a diachronic perspective of some of the many images of Europe, with particular attention to the historical, cultural and economic contexts in which these images were created and the media and genres in which they have been presented.
Although the emphasis of the conference lies on different and changing perspectives, perceptions and representations, it also wants to explore the notion of similarity – are there any aspects that keep recurring in the different visions, aspects that might even be said to be intrinsically European?
The conference aims to provide a platform for graduate students in the humanities, from Leiden as well as other universities in the Netherlands and abroad, to present and exchange their ideas in an international and interdisciplinary environment. The organising committee is honoured that Professor Jonathan Israel and Professor Edith Hall have accepted our invitation to act as keynote speakers and participate in discussions during the conference.
PROPOSALS
The LUICD Graduate Conference aims to reflect the institute’s interdisciplinary and international character and as such welcomes proposals from graduate students from all disciplines within the humanities, from universities from the Netherlands as well as abroad. The conference wants to present a variety of different perspectives on Europe (from within as well as outside the European continent) and those working in fields related to other continents are particularly encouraged to submit a proposal.
Subjects may include historical events, processes and discourses, textual and/or visual representations, literary or art canons, colonial and post- colonial relations, philosophical developments and political issues.
Questions that could be raised include: how did (and do) oppositions such as barbarism versus civilization, Christianity versus paganism or old versus new worlds relate to the conceptualization of Europe? What role does
(perceived) cultural superiority play in these oppositions? What ideas might be regarded as predecessors of or alternatives to the concept of Europe? In what ways did (and do) forms of universalism and regionalism compete with identity formation on a continental level? How have individual artists represented Europe? How do different (literary) genres, such as travel literature, historiography or letters, construct a particular image of Europe or Europe’s relations with other cultures? Is it possible for art collections to imagine Europe or to question existing perceptions of Europe? How do migrant literature and cinema reflect the changing identity of Europe today?
Please send your proposal (max. 300 words) for a 20-minute paper to C.Maas@hum.leidenuniv.nl. The deadline for the proposals is 1 November 2010 – you will be notified whether or not your proposal has been selected before 15 November 2010.
After the conference, the proceedings will be published either on-line or in book form. More information on this will follow in due course.
If you have any questions regarding the conference and/or the proposal, please do not hesitate to contact us at the above e-mail address. More information about the conference will be published on the conference webpage, which will go online this summer.
Call for Papers - LUICD Graduate Conference 2011
Leiden University Institute for Cultural Disciplines
27 and 28 January 2011
Confirmed key note speakers:
Professor Edith Hall, Royal Holloway, University of London
Professor Jonathan Israel, Institute for Advanced Study, Princeton University
THE CONFERENCE
‘Qui parle Europe a tort. Notion géographique’. Otto von Bismarck's elliptic remark, scribbled in the margin of a letter from Alexander Gorchakov in 1876, would go on to become one of the most often-quoted statements about Europe. But was Bismarck right? Is Europe nothing but a geographical notion? Even the briefest glance at history shows that more often than not perceptions and definitions of Europe go beyond the mere geographical demarcation of a continent. In 1919, for instance, Paul Valéry imagined Europe as a living creature, with ‘a consciousness acquired through centuries of bearable calamities, by thousands of men of the first rank, from innumerable geographical, ethnic and historical coincidences’.
Of course this is only one of a multitude of different representations.
Europe has always signified different things to different people in different places – inside Europe as well as outside. Europe meant, for instance, something different to Voltaire, l’aubergiste d’Europe, at Ferney in the 1760s than to Athanasius Kircher in Rome a century earlier or to Barack Obama in Washington today.
This conference explores the different ways in which Europe has been imagined and represented, from inside as well as outside Europe and from classical antiquity to the present day. This wide scope reflects the historical range of the LUICD’s three research programmes (Classics and Classical Civilization, Medieval and Early Modern Studies and Modern and Contemporary Studies) as well as the intercontinental focus of many of the institute’s research projects. The conference aims to present a diachronic perspective of some of the many images of Europe, with particular attention to the historical, cultural and economic contexts in which these images were created and the media and genres in which they have been presented.
Although the emphasis of the conference lies on different and changing perspectives, perceptions and representations, it also wants to explore the notion of similarity – are there any aspects that keep recurring in the different visions, aspects that might even be said to be intrinsically European?
The conference aims to provide a platform for graduate students in the humanities, from Leiden as well as other universities in the Netherlands and abroad, to present and exchange their ideas in an international and interdisciplinary environment. The organising committee is honoured that Professor Jonathan Israel and Professor Edith Hall have accepted our invitation to act as keynote speakers and participate in discussions during the conference.
PROPOSALS
The LUICD Graduate Conference aims to reflect the institute’s interdisciplinary and international character and as such welcomes proposals from graduate students from all disciplines within the humanities, from universities from the Netherlands as well as abroad. The conference wants to present a variety of different perspectives on Europe (from within as well as outside the European continent) and those working in fields related to other continents are particularly encouraged to submit a proposal.
Subjects may include historical events, processes and discourses, textual and/or visual representations, literary or art canons, colonial and post- colonial relations, philosophical developments and political issues.
Questions that could be raised include: how did (and do) oppositions such as barbarism versus civilization, Christianity versus paganism or old versus new worlds relate to the conceptualization of Europe? What role does
(perceived) cultural superiority play in these oppositions? What ideas might be regarded as predecessors of or alternatives to the concept of Europe? In what ways did (and do) forms of universalism and regionalism compete with identity formation on a continental level? How have individual artists represented Europe? How do different (literary) genres, such as travel literature, historiography or letters, construct a particular image of Europe or Europe’s relations with other cultures? Is it possible for art collections to imagine Europe or to question existing perceptions of Europe? How do migrant literature and cinema reflect the changing identity of Europe today?
Please send your proposal (max. 300 words) for a 20-minute paper to C.Maas@hum.leidenuniv.nl. The deadline for the proposals is 1 November 2010 – you will be notified whether or not your proposal has been selected before 15 November 2010.
After the conference, the proceedings will be published either on-line or in book form. More information on this will follow in due course.
If you have any questions regarding the conference and/or the proposal, please do not hesitate to contact us at the above e-mail address. More information about the conference will be published on the conference webpage, which will go online this summer.
Viking Society
Dear Viking Society member
>
> I am pleased to announce that the Catalogue for the Viking Society auction of
> books belonging to Peter Foote is now available on the Society¹s web site
> http://www.le.ac.uk/ee/viking/
> Bids are invited until 31st July 2010. The Catalogue can be
> downloaded in Word
> or PDF format. Instructions for placing bids will be found at the
> beginning of
> the catalogue. Any individual (or institution) is welcome to bid; the sale is
> not restricted to Society members.
>
> Because of the wide range of Professor Foote¹s interests, many besides Viking
> Society members may want to see the catalogue, and we would be grateful if
> members could pass on the information about the sale where appropriate.
>
> As you know, proceeds from the sale will go to the Peter Foote Memorial Fund.
> I would also like to remind members who would like to contribute to the fund
> that donations can be sent to the Treasurer at the Society¹s address.
>
> With best wishes
>
> Alison Finlay
> -- Ph.D. Researcher,
> U.C.D. School of Archaeology,
> http://www.ucd.ie/archaeology/research/phd/boyd_rebecca/index.html
>
> I am pleased to announce that the Catalogue for the Viking Society auction of
> books belonging to Peter Foote is now available on the Society¹s web site
> http://www.le.ac.uk/ee/viking/
> Bids are invited until 31st July 2010. The Catalogue can be
> downloaded in Word
> or PDF format. Instructions for placing bids will be found at the
> beginning of
> the catalogue. Any individual (or institution) is welcome to bid; the sale is
> not restricted to Society members.
>
> Because of the wide range of Professor Foote¹s interests, many besides Viking
> Society members may want to see the catalogue, and we would be grateful if
> members could pass on the information about the sale where appropriate.
>
> As you know, proceeds from the sale will go to the Peter Foote Memorial Fund.
> I would also like to remind members who would like to contribute to the fund
> that donations can be sent to the Treasurer at the Society¹s address.
>
> With best wishes
>
> Alison Finlay
> -- Ph.D. Researcher,
> U.C.D. School of Archaeology,
> http://www.ucd.ie/archaeology/research/phd/boyd_rebecca/index.html
In conjunction with a larger project on the history of women’s letters from the 12th to the 21st centuries, I hope to propose at least one session at the forthcoming biennial meeting of the Australian and New Zealand Association for Medieval and Early Modern Studies, to be held at the University of Otago, Dunedin, New Zealand, 2-5 February 2011. Papers can address any aspect of women’s letters, letter-writing practice, or engagement with epistolarity, between (approximately) 1000 and 1400 CE.
Paper proposals in the form of abstracts of no more than 200 words, and any further enquiries, should be submitted to Kathleen Neal (kathleen.neal@arts.monash.edu.au) by 15 August 2010. Please also describe in no more than 3 keywords, the central thematic issues of your paper.
Further information about the conference is available at: http://www.otago.ac.nz/mems/anzamems/index.html
Please feel free to circulate this call to your friends and colleagues who may be interested.
Paper proposals in the form of abstracts of no more than 200 words, and any further enquiries, should be submitted to Kathleen Neal (kathleen.neal@arts.monash.edu.au) by 15 August 2010. Please also describe in no more than 3 keywords, the central thematic issues of your paper.
Further information about the conference is available at: http://www.otago.ac.nz/mems/anzamems/index.html
Please feel free to circulate this call to your friends and colleagues who may be interested.
ANZAMEMS is pleased to announce a Postgraduate Advanced Training Seminar on the theme
Editing Medieval and Early Modern Texts: Principles and Practice
University of Otago
7–8 February 2011
The editing of texts from the medieval and early modern periods is a complex and demanding task. Surprisingly there are very few resources available that provide guidance as to how to describe, transcribe and fully edit materials from these periods. This workshop will bring together leading experts in text editing in order to share their skills and experience with postgraduate students and early career researchers. The expert instructors are:
Prof Eva Schlotheuber, University of Münster: Medieval and German texts
Prof Michael Hunter, Birkbeck College, London: Early Modern texts
Dr Greg Waite, University of Otago: Old and Middle English texts
The workshop will take place after the biennial ANZAMEMS conference to be held at the University of Otago from 2–5 February 2011.
Bursaries are available to suitably qualified applicants from Australasia (see application form).
Inquiries should be forwarded to the workshop convenor: Prof Peter Anstey, University of Otago peter.anstey@otago.ac.nz
Editing Medieval and Early Modern Texts: Principles and Practice
University of Otago
7–8 February 2011
The editing of texts from the medieval and early modern periods is a complex and demanding task. Surprisingly there are very few resources available that provide guidance as to how to describe, transcribe and fully edit materials from these periods. This workshop will bring together leading experts in text editing in order to share their skills and experience with postgraduate students and early career researchers. The expert instructors are:
Prof Eva Schlotheuber, University of Münster: Medieval and German texts
Prof Michael Hunter, Birkbeck College, London: Early Modern texts
Dr Greg Waite, University of Otago: Old and Middle English texts
The workshop will take place after the biennial ANZAMEMS conference to be held at the University of Otago from 2–5 February 2011.
Bursaries are available to suitably qualified applicants from Australasia (see application form).
Inquiries should be forwarded to the workshop convenor: Prof Peter Anstey, University of Otago peter.anstey@otago.ac.nz
IMAGINING EUROPE - PERSPECTIVES, PERCEPTIONS AND REPRESENTATIONS FROM ANTIQUITY TO THE PRESENT
IMAGINING EUROPE - PERSPECTIVES, PERCEPTIONS AND REPRESENTATIONS FROM
ANTIQUITY TO THE PRESENT
Call for Papers - LUICD Graduate Conference 2011
Leiden University Institute for Cultural Disciplines
27 and 28 January 2011
Confirmed key note speakers:
Professor Edith Hall, Royal Holloway, University of London
Professor Jonathan Israel, Institute for Advanced Study, Princeton
University
THE CONFERENCE
‘Qui parle Europe a tort. Notion géographique’. Otto von Bismarck's
elliptic remark, scribbled in the margin of a letter from Alexander
Gorchakov in 1876, would go on to become one of the most often-quoted
statements about Europe. But was Bismarck right? Is Europe nothing but a
geographical notion? Even the briefest glance at history shows that more
often than not perceptions and definitions of Europe go beyond the mere
geographical demarcation of a continent. In 1919, for instance, Paul Valéry
imagined Europe as a living creature, with ‘a consciousness acquired
through centuries of bearable calamities, by thousands of men of the first
rank, from innumerable geographical, ethnic and historical coincidences’.
Of course this is only one of a multitude of different representations.
Europe has always signified different things to different people in
different places – inside Europe as well as outside. Europe meant, for
instance, something different to Voltaire, l’aubergiste d’Europe, at Ferney
in the 1760s than to Athanasius Kircher in Rome a century earlier or to
Barack Obama in Washington today.
This conference explores the different ways in which Europe has been
imagined and represented, from inside as well as outside Europe and from
classical antiquity to the present day. This wide scope reflects the
historical range of the LUICD’s three research programmes (Classics and
Classical Civilization, Medieval and Early Modern Studies and Modern and
Contemporary Studies) as well as the intercontinental focus of many of the
institute’s research projects. The conference aims to present a diachronic
perspective of some of the many images of Europe, with particular attention
to the historical, cultural and economic contexts in which these images
were created and the media and genres in which they have been presented.
Although the emphasis of the conference lies on different and changing
perspectives, perceptions and representations, it also wants to explore the
notion of similarity – are there any aspects that keep recurring in the
different visions, aspects that might even be said to be intrinsically
European?
The conference aims to provide a platform for graduate students in the
humanities, from Leiden as well as other universities in the Netherlands
and abroad, to present and exchange their ideas in an international and
interdisciplinary environment. The organising committee is honoured that
Professor Jonathan Israel and Professor Edith Hall have accepted our
invitation to act as keynote speakers and participate in discussions during
the conference.
PROPOSALS
The LUICD Graduate Conference aims to reflect the institute’s
interdisciplinary and international character and as such welcomes
proposals from graduate students from all disciplines within the
humanities, from universities from the Netherlands as well as abroad. The
conference wants to present a variety of different perspectives on Europe
(from within as well as outside the European continent) and those working
in fields related to other continents are particularly encouraged to submit
a proposal.
Subjects may include historical events, processes and discourses, textual
and/or visual representations, literary or art canons, colonial and post-
colonial relations, philosophical developments and political issues.
Questions that could be raised include: how did (and do) oppositions such
as barbarism versus civilization, Christianity versus paganism or old
versus new worlds relate to the conceptualization of Europe? What role does
(perceived) cultural superiority play in these oppositions? What ideas
might be regarded as predecessors of or alternatives to the concept of
Europe? In what ways did (and do) forms of universalism and regionalism
compete with identity formation on a continental level? How have individual
artists represented Europe? How do different (literary) genres, such as
travel literature, historiography or letters, construct a particular image
of Europe or Europe’s relations with other cultures? Is it possible for art
collections to imagine Europe or to question existing perceptions of
Europe? How do migrant literature and cinema reflect the changing identity
of Europe today?
Please send your proposal (max. 300 words) for a 20-minute paper to
C.Maas@hum.leidenuniv.nl. The deadline for the proposals is 1 November
2010 – you will be notified whether or not your proposal has been selected
before 15 November 2010.
After the conference, the proceedings will be published either on-line or
in book form. More information on this will follow in due course.
If you have any questions regarding the conference and/or the proposal,
please do not hesitate to contact us at the above e-mail address. More
information about the conference will be published on the conference
webpage, which will go online this summer.
The organizing committee:
Drs. Thera Giezen
Drs. Jacqueline Hylkema
Drs. Coen Maas
ANTIQUITY TO THE PRESENT
Call for Papers - LUICD Graduate Conference 2011
Leiden University Institute for Cultural Disciplines
27 and 28 January 2011
Confirmed key note speakers:
Professor Edith Hall, Royal Holloway, University of London
Professor Jonathan Israel, Institute for Advanced Study, Princeton
University
THE CONFERENCE
‘Qui parle Europe a tort. Notion géographique’. Otto von Bismarck's
elliptic remark, scribbled in the margin of a letter from Alexander
Gorchakov in 1876, would go on to become one of the most often-quoted
statements about Europe. But was Bismarck right? Is Europe nothing but a
geographical notion? Even the briefest glance at history shows that more
often than not perceptions and definitions of Europe go beyond the mere
geographical demarcation of a continent. In 1919, for instance, Paul Valéry
imagined Europe as a living creature, with ‘a consciousness acquired
through centuries of bearable calamities, by thousands of men of the first
rank, from innumerable geographical, ethnic and historical coincidences’.
Of course this is only one of a multitude of different representations.
Europe has always signified different things to different people in
different places – inside Europe as well as outside. Europe meant, for
instance, something different to Voltaire, l’aubergiste d’Europe, at Ferney
in the 1760s than to Athanasius Kircher in Rome a century earlier or to
Barack Obama in Washington today.
This conference explores the different ways in which Europe has been
imagined and represented, from inside as well as outside Europe and from
classical antiquity to the present day. This wide scope reflects the
historical range of the LUICD’s three research programmes (Classics and
Classical Civilization, Medieval and Early Modern Studies and Modern and
Contemporary Studies) as well as the intercontinental focus of many of the
institute’s research projects. The conference aims to present a diachronic
perspective of some of the many images of Europe, with particular attention
to the historical, cultural and economic contexts in which these images
were created and the media and genres in which they have been presented.
Although the emphasis of the conference lies on different and changing
perspectives, perceptions and representations, it also wants to explore the
notion of similarity – are there any aspects that keep recurring in the
different visions, aspects that might even be said to be intrinsically
European?
The conference aims to provide a platform for graduate students in the
humanities, from Leiden as well as other universities in the Netherlands
and abroad, to present and exchange their ideas in an international and
interdisciplinary environment. The organising committee is honoured that
Professor Jonathan Israel and Professor Edith Hall have accepted our
invitation to act as keynote speakers and participate in discussions during
the conference.
PROPOSALS
The LUICD Graduate Conference aims to reflect the institute’s
interdisciplinary and international character and as such welcomes
proposals from graduate students from all disciplines within the
humanities, from universities from the Netherlands as well as abroad. The
conference wants to present a variety of different perspectives on Europe
(from within as well as outside the European continent) and those working
in fields related to other continents are particularly encouraged to submit
a proposal.
Subjects may include historical events, processes and discourses, textual
and/or visual representations, literary or art canons, colonial and post-
colonial relations, philosophical developments and political issues.
Questions that could be raised include: how did (and do) oppositions such
as barbarism versus civilization, Christianity versus paganism or old
versus new worlds relate to the conceptualization of Europe? What role does
(perceived) cultural superiority play in these oppositions? What ideas
might be regarded as predecessors of or alternatives to the concept of
Europe? In what ways did (and do) forms of universalism and regionalism
compete with identity formation on a continental level? How have individual
artists represented Europe? How do different (literary) genres, such as
travel literature, historiography or letters, construct a particular image
of Europe or Europe’s relations with other cultures? Is it possible for art
collections to imagine Europe or to question existing perceptions of
Europe? How do migrant literature and cinema reflect the changing identity
of Europe today?
Please send your proposal (max. 300 words) for a 20-minute paper to
C.Maas@hum.leidenuniv.nl. The deadline for the proposals is 1 November
2010 – you will be notified whether or not your proposal has been selected
before 15 November 2010.
After the conference, the proceedings will be published either on-line or
in book form. More information on this will follow in due course.
If you have any questions regarding the conference and/or the proposal,
please do not hesitate to contact us at the above e-mail address. More
information about the conference will be published on the conference
webpage, which will go online this summer.
The organizing committee:
Drs. Thera Giezen
Drs. Jacqueline Hylkema
Drs. Coen Maas
Wars of the Roses: Triumphs and Defeats
ave the Date:
The Richard III Foundation, Inc.
presents
Wars of the Roses: Triumphs and Defeats
October 8 and 9, 2010
Our events will begin on Friday afternoon at the Bosworth Battlefield Centre.
A private tour of the new exhibition will begin at 2 pm.
Longbow demonstration at 3 pm.
On Saturday, October 9, the conference will be held at the Dixie Grammar School in Market Bosworth. Registration begins at 8:30. The conference will begin at 9:00 and will conclude at 17:00.
The speakers and topics for the day are:
Professor Ralph Griffiths: `Richard, Duke of York: The Man Who Would Be King.'
Mick Manns (Mick the Fletcher): `The Role of a Fletcher'.
Richard Knox, Keeper of Donnington and Bosworth: `Bosworth 1485: A Battle Lost and Found.'
John Sadler: `Towton: England's Bloodiest Day.'
Michael Miller: `The Medieval Soldier'.
Dr. Helen Castor: ""Margaret of Anjou: She Wolf of England".
Special Performance by the dynamic medieval music group - The Ambion Troubadours
Special Guest Speaker - Robert Hardy, CBE, honorary patron of the Foundation
For a registration form or any other questions, you can contact Leah Mathews at Richard3Foundation@yahoo.com
The Richard III Foundation, Inc.
presents
Wars of the Roses: Triumphs and Defeats
October 8 and 9, 2010
Our events will begin on Friday afternoon at the Bosworth Battlefield Centre.
A private tour of the new exhibition will begin at 2 pm.
Longbow demonstration at 3 pm.
On Saturday, October 9, the conference will be held at the Dixie Grammar School in Market Bosworth. Registration begins at 8:30. The conference will begin at 9:00 and will conclude at 17:00.
The speakers and topics for the day are:
Professor Ralph Griffiths: `Richard, Duke of York: The Man Who Would Be King.'
Mick Manns (Mick the Fletcher): `The Role of a Fletcher'.
Richard Knox, Keeper of Donnington and Bosworth: `Bosworth 1485: A Battle Lost and Found.'
John Sadler: `Towton: England's Bloodiest Day.'
Michael Miller: `The Medieval Soldier'.
Dr. Helen Castor: ""Margaret of Anjou: She Wolf of England".
Special Performance by the dynamic medieval music group - The Ambion Troubadours
Special Guest Speaker - Robert Hardy, CBE, honorary patron of the Foundation
For a registration form or any other questions, you can contact Leah Mathews at Richard3Foundation@yahoo.com
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