Thursday, December 12, 2019

-
Call for Papers: The 8th Annual Koç University Archaeology and History
of Art Graduate Research Symposium - Performance: Actors, Objects,
Spaces
by Alev Berberoglu
*Performance: Actors, Objects, Spaces*
*Call for Papers - The 8th Annual Koç University Archaeology and History of
Art Graduate Research Symposium *

*Application Deadline:* 31 December 2019, Tuesday

Koç University’s Department of Archaeology and History of Art (ARHA) is
pleased to announce its 8th Annual Graduate Student Research Symposium, which
will be held on 26 March 2020 at Koç University’s Research Center for
Anatolian Civilizations (ANAMED), located in Beyoğlu, Istanbul.

The symposium titled* Performance: Actors, Objects, Spaces *aims to
investigate various manifestations of artistic and cultural acts revolving
around performance in order to discuss their enduring prevalence and trace
their nuances in different spatial, temporal, social, and personal contexts.
Outcomes of performances as employed in building identity, constructing
gender, expressing self, and defining community will be analyzed.* *Our
definition of performance is broad: it embraces the sacred and the secular,
the social and the personal, and the spectacular and the quotidian. Moreover,
performativity, or the interdependent relationship between words and actions,
emerges as a topic of interest in this framework, owing to its reflections in
the arts.

This symposium seeks to bring together a diverse range of perspectives and
disciplines concerned with a span of subjects, areas and periods of research
converging around the theme of performance in the arts and culture. Paper
topics may include, but are not limited to:

 * Depictions of performance
 * Performance and space
 * Performance, architecture, and urban planning
 * State power, theatricality, ceremonies, and processions
 * Imperial and military performances
 * Sacred performances, rites, and rituals
 * Performing identities
 * Performing culture
 * Performativity in arts
 * Gender as performance
 * Performing arts, theatre, dance, spectacles
 * Performing music, musicians, musical instruments
 * Memory and performance
 * Documenting performances
 * Staging and restaging performances
 * Self-expression through performance
 * Intangible cultural heritage and performance
 * Performativity in museum studies

Students of archaeology, art history, history, cultural heritage, museum
studies and related fields are invited to present research related to
Anatolia and its neighboring regions, including the Mediterranean, Aegean,
Black Sea, the Balkans, the Levant and the Ancient Near East, from the
earliest prehistoric times through the Bronze and Iron Ages, the Classical,
Byzantine and Ottoman periods, and into contemporary times.

All graduate students are encouraged to apply, including M.A. and Ph.D.
students at any stage of their studies. The conference will be held in
English, but we are open to accepting presentations and posters in both
English and Turkish. Applicants should submit a 250-word abstract by 31
December 2019 to arhasymposium@gmail.com [1]. Applicants will be notified of
their acceptance by the middle of January. For other questions, please
contact arhasymposium@gmail.com [2] or visit arhags.ku.edu.tr [3] and
www.facebook.com/ARHAsymposium [4].



[1] mailto:arhasymposium@gmail.com
[2] mailto:arhasymposium@gmail.com
[3] http://arhags.ku.edu.tr
[4] http://www.facebook.com/ARHAsymposium
Read more or reply:
https://networks.h-net.org/user/login%3Fdestination%3Dnode/5515373

Wednesday, December 11, 2019

*REMINDER: CALL FOR PAPERS Eighth Annual Symposium on Medieval and
Renaissance Studies June 15-17, 2020*


*Proposal Deadline: December 31, 2019 *Saint Louis University
Saint Louis, Missouri



This is a reminder that the deadline for proposal submissions for the Eighth
Annual Symposium on Medieval and Renaissance Studies
<https://www.smrs-slu.org/> (June 15-17, 2020) is fast approaching, so get
your abstracts ready! We invite proposals for papers, complete sessions,
and roundtables. Any topics regarding the scholarly investigation of the
medieval and early modern world are welcome. Papers are normally twenty
minutes each and sessions are scheduled for ninety minutes. Scholarly
organizations are especially encouraged to sponsor proposals for complete
sessions. The goal of the Symposium is to promote serious scholarly
investigation into all topics and in all disciplines of medieval and early
modern studies. The Symposium is also host to the 47th Annual Saint Louis
Conference on Manuscript Studies
<https://www.smrs-slu.org/annual-saint-louis-conference-on-manuscript-studies.html>,
the longest-running annual conference in North America. Opportunities for
undergraduate submissions are also available via the *Tirones Mediaevales*
sessions – see the website <https://www.smrs-slu.org/submit.html> for more
details.

The *plenary speakers* for this year will be *David Abulafia*, of Cambridge
University, and *Barbara Rosenwein*, of Loyola University, Chicago.

The deadline for all submissions is *December 31, 2019*. *Late submissions
will be considered if space is available.* Decisions will be made in
January and the final program will be published in February.

For more information or to *submit your proposal online* go to:
https://www.smrs-slu.org/

Tuesday, December 10, 2019

CALL FOR PAPERS – INTERNATIONAL WORKSHOP
*MUROS ET MOENIA*: CITY WALLS, URBAN BOUNDARIES, AND THE ARTICULATION OF
THE CITY IN THE FIRST MILLENNIUM CE
16-17 April, 2020
Utrecht University

In the ancient, late antique, and the early medieval worlds, city walls
both projected strength and indicated insecurity. These impressive and
prominent constructions dominated the urban landscape and oriented the
movement of citizens. Likewise, these enclosures sought to delineate those
who did and did not belong, physically marking the inclusion of its
citizens as well as signifying the exclusion of whoever and whatever
threatened to harm the physical, symbolic, and ritual integrity of the
city. City walls were visible from afar, drawing visitors in and
advertising the city’s status from a distance. At the same time, the wall’s
overlapping layers of legal, ritual, and symbolic significance structured
narrative and normative texts across these epochs.

This international workshop seeks to bring together an international and
interdisciplinary group of scholars to work on these interrelated aspects
of ancient and early medieval walls in the Mediterranean and northwestern
Europe throughout the first millennium CE. Our keynote address will be
given by Hendrik Dey, and our confirmed speakers include Rachele Dubbini,
Penelope Goodman and Nicholas Purcell. We invite proposals for 20 minute
papers from specialists working in various disciplines, including
archaeology, history, literary studies, and art history. This workshop will
examine the commonalities and discrepancies across these disciplines, both
in terms of their methodological and theoretical approach as well as
querying the extent to which city walls functioned in a variety of
different contexts present throughout the ancient and medieval world.

Please send an abstract of no more than 300 words, plus a short
bibliography to the organizers Saskia Stevens, Megan Welton, and Kay Boers
at murosetmoenia@gmail.com by January 31st, 2020.

*Muros et Moenia* is generously supported by the NWO-VICI Project
“Citizenship Discourses in the Early Middle Ages, 400-1100,” the Utrecht
Center for Medieval Studies, Ancient History and Classical Civilisation at
Utrecht University, and OIKOS - the Dutch National Research School in
Classics.

Wednesday, November 27, 2019

Call for Papers

A Tale of Two Traditions. Roman Culture and Ancient Greek Narratives
under the Principate.



International workshop at Ghent University, Thursday 28th – Friday
29th May 2020.

Deadline for submission of abstracts: 29/02/2020.

Confirmed speakers include: Dr. Romain Brethes (Paris, AnHiMa); Dr.
Casper de Jonge (Leiden); Dr. Daniel Jolowicz (King’s College London).



Ancient imperial Greek narrative literature, in a wide variety of
genres (fables, novels, epic poetry, historiography, biography, etc.),
has been shown to be a product of its rhetorical, philosophical, and
linguistic environments. It also is in dialogue with other genres
(such as New Comedy, elegy and epigrams, to name just a few), and is
impacted by complex processes not only of intercultural connections
and education, but also of literary self-awareness and representations
of otherness. While many studies have concentrated on the way Greek
imperial narrative absorbs preceding Greek and eastern traditions,
less systematic attention has been paid to how it uses, addresses or
confronts preceding Latin traditions.

This conference sets out to explore ways in which Greek narrative
responds to or engages with Latin literature and culture at large. By
studying cases of Latin interactions within ancient Greek narrative
under the Principate, the conference seeks not only to improve our
understanding of Greek-Latin overlaps in general, but also to find new
ways of conceptualising this corpus in particular. More specifically,
we aim 1. to discussing new methodological tools concerning reception;
2. to situate Greek works in their intellectual, bilingual and
multicultural environment; 3. to account for the conspicuous absences
of Rome from certain Greek productions under the Principate and
investigate the notion of cultural identity. We invite abstracts that
address these topics.





If you are interested in contributing to this conference, please send
an abstract (ca 200 words) in either English or French together with a
short CV stating your affiliation and current occupation to
olivier.demerre@ugent.beo:olivier.demerre@ugent.be>, no later
than 29/02/2020. We will send out confirmations about acceptance by
20/03/2020.



For any queries, please contact
olivier.demerre@ugent.beo:olivier.demerre@ugent.be>.


Thursday, November 21, 2019

*ASSOCIAZIONE MATILDICA INTERNAZIONALE*

*Matilda of Canossa and Tuscany International   Association*



*AMI – MIA*

 Call for Papers

*Matilda of Canossa and Her Times*

     AMI-MIA (Associazione Matildica Internazionale – Matilda of Canossa
and Tuscany International Association) is seeking papers for a panel
on *Matilda
of Canossa and Her Times* to be presented at the 8th Annual Symposium on
Medieval & Renaissance Studies, St. Louis Univ (St. Louis, MO USA), June
15-17, 2020.

     The topic is broadly defined.  Papers on related topics (e.g. female
lordship or military history) will be considered as long as the connection
to the topic is established.

     Send proposals/abstracts, 250 words, to Valerie Eads - veads@sva.edu -
by December 15.

[Deadline for panel submission to SMRS is December 31.]

Monday, November 11, 2019


ABSTRACTS DUE 01 DECEMBER!
A Call for Papers:
"Writing Ancient and Medieval Same-Sex Desire: Goals, Methods, Challenges"
June 30-July 2, 2020
Victoria University of Wellington, New Zealand
https://cms.victoria.ac.nz/slc/about/events/writing-ancient-and-medieval-same-sex-desire-goals,-methods,-challenges


This call for papers is for a conference to take place June 30-July 2,
2020 at Victoria University of Wellington, New Zealand, on the topic
of writing about same-sex desire in ancient and medieval societies.

Derek Krueger (UNC Greensboro), Mark Masterson (Victoria University of
Wellington), Nancy Rabinowitz (Hamilton College), and Shaun Tougher
(Cardiff University) will be providing  plenary addresses.

++

For several decades now, scholars have devoted attention to same-sex
desire in both ancient times and the centuries that followed. Not
surprisingly, there have been vigorous debates over how to go about
it. These debates have been framed in various ways. Here are some
examples:

  *   essentialism VERSUS constructivism;
  *   Foucauldian discourse analysis VERSUS approaches inspired by
psychoanalysis;
  *   (the impossibility of) objective history VERSUS (overly)
subjective history;
  *   perception of commonalities across time VERSUS rigorously
historicizing insistence on the past's alterity;
  *   positivism VERSUS imaginative reconstruction of contemporaneous
receptions.

These dichotomies, which are both reductive and don't exhaust the
possibilities, continue to crackle with contention. They also continue
to undergird and even disturb current scholarly endeavours.

We are looking for papers (30 minutes in length) in which scholars not
only speak about primary source material but also reflect explicitly
on the theoretical orientation of their work (see the dichotomies
above for examples) and the purpose(s) of (their) scholarship on
same-sex desire. An additional objective of this conference will be an
edited volume of papers that will aim to showcase a variety of
approaches to this important topic.

Please send proposals (c. 500 words) to Mark Masterson
(writingsamesexdesire@gmail.comwritingsamesexdesire@gmail.com
>)
by 1 December 2019. If you have any questions, please send them to him
at this address also.

In your proposal include

  1.  the primary source material/historical milieu to be discussed, and
  2.  the general theoretical basis of the work



This conference is underwritten by the Marsden Fund/Te Pūtea Rangahau
A Marsden of the Royal Society/Te Apārangi of New Zealand

Friday, November 8, 2019

Please find below a call for papers for a special dossier in *Viator*,
abstracts due December 2.

*Looking Ahead: Global Encounters in the North Atlantic, ca. 350–1300*

A special dossier in *Viator*

Co-edited by Nahir Otaño Gracia, Nicole Lopez-Jantzen, and Erica Weaver

In the last few years, several urgent interventions have begun to reshape
medieval studies as a more capacious and inclusive field. Scholars such as
Geraldine Heng, Monica Green, and Michael Gomez have expanded our
understanding of the multifaceted interactions between and among Africa,
Asia, Europe, and elsewhere, while Adam Miyashiro and Mary Rambaran-Olm
have urged us to reassess the North Atlantic in particular.
Traditionally, scholars
have tended to work within national borders or to focus on how North
Atlantic cultures changed the rest of the globe rather than how they were
themselves changed by global interactions, with drastic consequences for
our field––especially for our earliest periods.

In order to continue these important conversations and to expand what our
scholarship can look like going forward, this special essay cluster seeks
to provide a platform for early-career scholars to propose new critical
directions for the study of the early medieval North Atlantic, broadly
encompassing ca. 350–1300. We thus invite short, rigorous interventions
(2000–3500 words each), in the model of the popular conference genre of
“lightning talks.” In particular, we seek imaginative new work that expands
the contours of early medieval studies and challenges, or transgresses, its
standard disciplinary, temporal, and linguistic boundaries. Following the
example set by the IONA
<https://www.ionaassociation.org/2019-iona-conference>: Islands of the
North Atlantic conferences, we reject the unproductive disciplinary divides
that have separated the study of England, Wales, Ireland, Francia,
Scandinavia, the Iberian Peninsula, Africa, and even the Mediterranean both
from each other and from points further afield along the Atlantic rim and
beyond. We also aim to break down the divisions that have artificially
separated Late Antiquity and the early and high Middle Ages. We are
intentionally leaving this call for papers very broad, because we come from
the perspective that the global does not exclude the local, and vice-versa.
Moreover, the insular can be archipelagic. We welcome essays that bring
together North Atlantic and Mediterranean Studies, or that read what has
been seen as national literature from a transnational perspective.

In the spirit of emerging from our own linguistic silos and in *Viator*’s
usual practice, we thus welcome work from scholars writing in English,
Spanish, and French. Additionally, we particularly invite work from
graduate students, postdocs, independent scholars, and members of the
precariat as well as contributions that are explicitly feminist, queer,
anti-racist, and decolonial. We would like to be as inclusive as possible,
so please contact us if you have any questions.

Short abstracts of around 200 words are due by *December 2 *to
ViatorIssue@gmail.com, with essays to be submitted by* January 15*.
Attachments area